Japanese Film ‘Ring Wandering’, a film which resurrects memories of Tokyo’s hidden war-torn past, bags The Golden Peacock at 52nd IFFI Czech Director Václav Kadrnka bags Silver Peacock for Best Director for ‘Saving One Who is Dead’ Indian and Marathi Actor Jitendra Joshi wins Silver Peacock for Best Actor (Male) for the film ‘Godavari’ Silver Peacock for Best Actor (Female) goes to Spanish Actor Angela Molina for the film ‘Charlotte’ ‘Lingui, The Sacred Bonds’ by Mahamat-Saleh Haroun wins ICFT UNESCO Gandhi Award South African film Barakat and Russian film The Sun above Me Never Sets share Best Film Award at BRICS Film Festival Lyricist Prasoon Joshi Receives Indian Film Personality of the Year Award 2021 52nd IFFI embraced new technology, gave platform to young talent: Union I&B Minister Shri Anurag Singh Thakur at IFFI 52 Closing Ceremony OTT platforms will continue to help our industry to go from strength to strength: Madhuri Dixit Hungarian Filmmaker Istvan Szabo and Hollywood filmmaker Martin Scorsese honoured with Satyajit Ray Lifetime Achievement award at IFFI 52 IFFI provided a platform for the first time to 75 Budding “Creative Young Minds of Tomorrow” First Ever Collaboration with OTT Platforms at IFFI 52 - OTT giants like Netflix, Amazon Prime, Zee5, Voot and SonyLIV participate IFFI 52, An Insatiable Cornucopia of Consummate Cinematic Excellence Screens more than 300 Films IFFI 52 pays homage to stalwarts of India and International cinema It's a lot harder to stand out today.IFFI 52 closes, raising a toast to the never-ending celebration and ardent love for films When John Lennon said Imagine, people stopped and did just that. "On the one hand, more musicians have access," Bruce explains, adding, "On the other, you're trying to make yourself heard amongst people who are already inundated with information. Then again, there are so many spaces for musicians to perform." Technology has transformed the scene too, again, in ways that are both good and bad. It seemed like a lot of money at time," says Bruce, 'But that's what musicians till get today! In that sense, things haven't changed. "When we started in 1996, we would get paid something like Rs 25,000 a gig. Much has changed in the music scene, almost as much as it hasn't. "Students have access to a network of musicians from everywhere." It should bring value to your life." Over 50 musicians from across India have shifted base to Bengaluru, to join the TAAQEDEMY ecosystem as members of its faculty. "Even now, the fundamental principle is the same - studying music should be enjoyable. Then, they extended their reach to schools across Bengaluru, too. The academy took off and soon, they were scouting for bigger places, locating one in Koramangala, then in Whitefield. That's something we also hoped to address." Indian audiences are not very educated, music-wise.
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Even then, the emphasis was never just on preparing students for a life as a professional musician, it's simply to bring the joy of the art into their lives. "We had all been taking classes for many years. As time went by, people began reaching out, asking if their kids could learn music from them.
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Music teachers and opportunities for study were rare or formidably expensive and the members of TAAQ taught themselves how to play, Bruce recalls. The band began when its members were still in college, driven by passion and little else, at the time.
"There was maybe, one venue for us to play at? Today, there are dozens," says Bruce. And things were very different when they started. Until then, Thermal and A Quarter, the pioneers of Indian rock, were something of an urban legend themselves.
They started out, however, 2010, with a small space on Queens Road. Over 8000 students across the city are part of TAAQADEMY, including the schools that have signed up to the programme.
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